Monday, May 18, 2020

The Influences for Langston Hughes Successful Writing Career

American literature and American culture have always been connected throughout our history. Langston Hughes was able to recognize that, â€Å"Man had the inability to bridge cultures† (Bloom 16). In one of his writings, Luani of the Jungles, Langston writes about the interactions in a relationship between a white man and a black woman, â€Å"that is not ruined by outside disapproval, but the man’s own obsession and oversimplification of their racial differences† (16). Hughes’s ability to speak openly about his ideas earned him the title of â€Å"the Poet of Laureate of Harlem† (Bailey 748). Langston Hughes was able to communicate through his works by trying to create bridges between cultures, which he knew was very possible. The works of Langston Hughes,†¦show more content†¦Also â€Å"While working as a busboy at the Wardman Park Hotel in Washington, D.C., he gave three of his poems to Vachel Lindsay, a famous critic, and through his prai se of his works was able to get Hughes an even larger audience† (Hill 26). Vachel publicized that he had discovered a new black poet, and Hughes earlier work began to be published in magazines and organized into his first book of poetry (Biography). In Hughes earl years as a writer, the fact that he could not make enough money to support himself created a feeling of depression deep inside of him. This depression and all the criticism that he faced, because of his race, gave him the inspiration and motivation to continue to write and become successful. Langston Hughes did not become the successful writer and poet he is by himself, he had many inspirations that kept him motivated and gave him ideas for his writing. The first of his inspirations was Carl Sandburg who wrote poetry, biographies, fiction, and newspaper articles (Biography). Though Sandburg was not African American his success was still inspirational to Hughes. Sandburg wrote about the struggles of real people, like Hughes writing about the struggles of African Americans (Biography). Sandburg was also faced with many critics who criticized the way he wrote, yet Sandburg did not change his style of writing because of these critics he just ignored them, andShow MoreRelatedBlack And Blues - Langston Hughes1623 Words   |  7 PagesKelsee Robinson Mrs. Fiene English 12 14 March 2017 Black and Blues – Langston Hughes The Harlem Renaissance was a time in history when the African American culture had one of its most influential movements by using creativity and the arts (Hutchinson 1). This movement took place between 1918 and 1937 and was shaped by both African American men and women through writing, theatre, visual arts, and music. The purpose of this movement was to change the white stereotypes that were associated withRead More The Work of Langston Hughes Essay1323 Words   |  6 PagesThe Work of Langston Hughes Langston Hughes is considered by many readers to be the most significant black poet of the twentieth century. He is described as  ³...the beloved author of poems steeped in the richness of African American culture, poems that exude Hughes ¹s affection for black Americans across all divisions of region, class, and gender. ² (Rampersad 3) His writing was both depressing and uplifting at times. His poetry, spanning five decades from 1926 to 1967, reflected the changing blackRead MoreEssay on Langston Hughes1393 Words   |  6 PagesLangston Hughes Langston Hughes was one of the first black men to express the spirit of blues and jazz into words. An African American Hughes became a well known poet, novelist, journalist, and playwright. Because his father emigrated to Mexico and his mother was often away, Hughes was brought up in Lawrence, Kansas, by his grandmother Mary Langston. Her second husband (Hughess grandfather) was a fierce abolitionist. She helped Hughes to see the cause of social justice. As aRead MoreThe Harlem Renaissance M Langston Hughes1243 Words   |  5 PagesFalasco Mrs. Getz Language Arts 10 Honors 6 April 2016 The Harlem Renaissance Man: Langston Hughes â€Å"I too sing America. I am the darker brother.† (Langston Hughes, â€Å"I, Too,† from Collected Poems, 46). Langston Hughes had many factors throughout his life that influenced his works. He was an artist that had works that crossed over into jazz, blues, and expressed his culture. During the 1920s Harlem Renaissance, Langston Hughes shared his African American pride with others through his poetry, promoting equalityRead MoreThe Negro Speaks Of Rivers1548 Words   |  7 PagesLangston Hughes was an American poet, novelist, and playwright whose African-American themes names him a primary contributor to the Harlem Renaissance of the 1920s. After moving from several cities, Hughes and his mother finally settled in Cleveland, Ohio. During this time, Hughes began to write poetry. One of his teachers introduced him to the poetry of Carl Sandburg and Walt Whitman, both whom Hughes would later cite as primary influences. By the time Hughes was enrolled at Columbia UniversityRead MoreEssay on Modernism Brought Much Change into the World1074 Words   |  5 Pagesmodernism that caught my attentions was the various works of Langston Hughes. Langston Hughes was recognized as a very important poet during his time, a time known as the â€Å"Harlem Renaissance†. This was a time were a lot of black poets were emerging. Hughes believed that everyone under the same race could live together, which became a downfall during this time. People did not want to hear about someone and their poems on Negro America. Hughes still went on and made very famous works that are still andRead MoreLangston Hughes : The American Dream And Southern Migration With The Reality Of Prejudice2931 Words   |  12 Pages11/4/14 Langston Hughes Themes, Styles, and Techniques Langston Hughes has solidified his place as one of the greatest writers in American Literature to this day. This achievement is due to his thought provoking use of certain styles and techniques to portray his main themes and ideas. Many of Langston Hughes’ themes originated from his personal feelings and experiences. Hughes thus centers his themes around the ups and downs of African Americans living in America during his time. Langston HughesRead MoreThe Harlem Renaissance, A Social, Cultural, And Artistic Movement1298 Words   |  6 Pagesthe introduction of great literature by African-Americans. Among the most respected writers and poets of the period were Langston Hughes, Claude McKay, Zora Neale Hurston, Jean Toomer, and Wallace Thurman (Thomas, 2017). While Langston Hughes was an innovator with a new form literary art called jazz poetry, others were still struggling become a success in such. This style of writing imitated the syncopated rhythms and repetitive phrases of jazz and blues into their poems. Claude McKay’s most famousRead More Writers of the Harlem Renaissance Essay2535 Words   |  11 Pagesthe nation. The movement, now known as ?The Harlem Renaissance,? caught like wildfire. Harlem, a part of Manhattan in New York City, became a hugely successful showcase for African American talent. Starting with black literature, the Harlem Renaissance quickly grew to incredible proportions. W.E.B. Du Bois, Claude McKay, and Langston Hughes, along with many other writers, experienced incredible popularity, respect, and success. Art, music, and photography from blacks also flourished, resultingRead MoreBrief Summary of the Harlem Renaissance.1863 Words   |  8 Pagesstimulated a national market for African American literature and music. Finally, in the autumn of 1926 a group of young black writers produced their own literary magazine, Fire!! With Fire!! a new generation of young writers and artists, including Langston Hughes, Walla ce Thurman, and Zora Neale Hurston, emerged as an alternative group within the Renaissance. CHARACTERISTICS No common literary style or political ideology defined the Harlem Renaissance. What united participants was their sense of taking

Wednesday, May 6, 2020

evilmac Macbeths Evil Aspect Essay - 4023 Words

Macbeths Evil Aspect Macbeth by William Shakespeare rrepresents unrelenting evil from beginning to end. Who is th emost evil? What motivates the evil intentions and actions? This paper intends to answer these questions. Charles Lamb in On the Tragedies of Shakespeare explains the impact of evil as seen in Macbeths initial murder: The state of sublime emotion into which we are elevated by those images of night and horror which Macbeth is made to utter, that solemn prelude with which he entertains the time till the bell shall strike which is to call him to murder Duncan, - when we no longer read it in a book, when we have given up that vantage-ground of abstraction which reading possesses over seeing, and†¦show more content†¦The kings evil and its cure and the graces which hang about the English throne are briefly described. [. . .] It marks the turning point, and it introduces the notion of the appeal by faith to Divine Grace which will reverse the evil course of the action when Malcolm and Macduff learn to outrun reason in that way, instead of by responding to the Witches supernatural solicitations as Macbeth has done. (110) Clark and Wright in their Introduction to The Complete Works of William Shakespeare interpret the main theme of the play as intertwining with evil: While in Hamlet and others of Shakespeares plays we feel that Shakespeare refined upon and brooded over his thoughts, Macbeth seems as if struck out at a heat and imagined from first to last with rapidity and power, and a subtlety of workmanship which has become instructive. The theme of the drama is the gradual ruin through yielding to evil within and evil without, of a man, who, though from the first tainted by base and ambitious thoughts, yet possessed elements in his nature of possible honor and loyalty. (792) The Tragedy of Macbeth opens in a desert place with thunder and lightning and three Witches who are anticipating their meeting with Macbeth, There to meet with Macbeth. They all say together the mysterious and contradictory Fair is foul, and foul is fair. King Duncan learns that brave

Fanon the Relationship Between Colonizer and Colonized free essay sample

Due to his past position as a psychiatrist in a hospital that treated colonized people dealing with the devastating effects of colonization, he had some rather strong positions on this relationship. This position led Fanon to write â€Å"Wretched of the Earth†, a piece which advocates a call to violence by the colonized. Fanon’s position is that because the physiological effects are so negative from being colonized, a revolution must happen. This revolution (decolonization) must be violent. It is the only way decolonization can be successful. The physiological effects of colonization can be devastating. As seen throughout history, the colonizer often demands integration at the very least of the people they are attempting to colonize. In many cases, total annihilation of the people that the colonizer is attempting to colonize occurs. In the United States, we have examples of both. Native Americans were both assimilated into white culture, and they were also blatantly killed in Indian wars for their lands. We will write a custom essay sample on Fanon: the Relationship Between Colonizer and Colonized or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Although there can be some positive effects from colonization, the overwhelming majority would be considered negative. Fanon could not agree with this more. In his piece titled, â€Å"The Wretched of the Earth†, Fanon talks explicitly about the economic position of the colonized. He describes their physical world as being â€Å"a disreputable place inhabited by disreputable people It is a world with no space; people are piled on top of one another, the shacks squeezed tightly together† (Fanon 1961:4). He describes how physical world of the colonizer as being one of light, space, and of paved roads, like the â€Å"good part of town† compared to the â€Å"bad part† of town. He talks about another physiological effect of the colonized: envy. Fanon discusses something very controversial to some, which is the growing want and jealously of those in the lower classes to those in the upper. If only the colonized (lower class) could just take the place of the colonizer (upper class) for just one day. This distaste and resentment for the riches of the colonizer may have had some influence by Karl Marx. Fanon points out that being constantly exposed to the differences in lifestyle make the colonized envious. To imagine what it would be like to live in a world where one day, hordes of foreigners come to invade what you have always known to be you and your people’s home land, then reassigning order based on some unknown document or ruling and taking charge of the place is unimaginable. Most of us in North America nowadays cannot even fathom the concept. Just watching how fast people get upset when the government needs to come into their home or on their land for something speaks volumes to me. Words like furious, outraged, culturally raped and or silenced come to my mind when thinking about it. Let’s face it: if a foreign power came into the United States tomorrow, there would be a fair amount of citizens that would think nothing of throwing down arms to defend their homes and their lands. So why then is it so bad for Fanon to have a call to violence for people wishing to end colonization in their lands? Many people have a problem with Fanon’s position on violence. Fanon argues in Wretched of the Earth threat violence is absolutely necessary for true decolonization. He states, â€Å"In its bare reality, decolonization reeks of red-hot cannonballs and bloody knives. For the last can be the first only after a murderous and decisive confrontation between the two protagonists† (1961:3). This quote is pretty clear, violence is necessary in order to remove the colonizer so that the colonized can then attempt to start putting the pieces back together. Fanon speaks of the difference between â€Å"decolonization† and â€Å"true decolonization†. Regular decolonization is when power has been handed back to the indigenous people of a certain land on paper, but in reality those ho have colonized it still remain, and set in place a system where the indigenous people still depend on them financially. This is not true decolonization, Fanon argues. True decolonization must be violent in order for it to truly benefit the colonized. Fanon does touch on the subject of ‘greed’ by the colonizer, but not enough. It is for this reason mainly that I agree with Fanon. People can theorize and philosophize until they are blue in the face. Realistically, if a strong country arrives at a foreign destination and sees resources and people to be exploited, they will do so. If money can be made by pushing someone else aside, (who perhaps does not have the manpower or weaponry that the colonizer has) they will do it. No amount of talking or asking nicely would make them leave. Again, let us look at the United States as an example. As someone who has been very interested in the relationship between settlers and Native Americans here in the Northwest, I have done at least a fair amount of reading on this subject. Under absolutely no circumstances to I any situation where Euro-Americans would have abandoned their claims to the lands of the American West. The only foreseeable situation where someone like Columbus would have been driven back to Spain would have been if confronted with a war party. When it is all said and done, violence is the only weapon humans have against each other to force each other to do things. For the same reason people have guns in their homes to protect themselves from robbers and home invasions; violence would be absolutely necessary for true decolonization. Fanon writes that to â€Å"destroy the colonial world means nothing less than demolishing the colonists’ sector, burying it deep within the earth or banishing it from the territory† (1961:6). This quote demonstrates another of Fanon’s ideals that the violence needed to remove the colonizer will be cleansing and renewing. Violence needs to happen in order to restore the balance that once was before the colonizer ever set foot in the land of the colonized. The weapon of violence cannot be triumphed, it is the ultimate weapon. It is this reason that the colonized must embrace violence in order to gain the lead over the colonizer. Only then will they listen. Fanon’s viewpoints regarding the violence as a necessary component for total and true decolonization of a land are rooted in experience. He was born to parents on two extremes of the social and or class scale, and therefore was able to experience perspectives from both sides (the colonizer and the colonized). Fanon had a unique position as a physiatrist to study the effects of colonization on indigenous people in Algeria. Because of the multitude of injustices he saw done by the hand of the colonizer to the colonized, he wrote several ‘call to arms’ pieces encouraging a true decolonization of Algeria. To best serve the indigenous people of that land, true decolonization would be needed. Unfortunately, sometimes the only way to fight fire is with fire.